Book
Sidewalk flowers / JonArno Lawson ; illustrated by Sydney Smith.
Record details
- ISBN: 9781554984312
- ISBN: 1554984319
- Physical Description: 1 volume (unpaged) : colour illustrations ; 23 x 23 cm.
- Publisher: Toronto, Ontario : Groundwood Books/House of Anansi Press, 2015.
Content descriptions
| General Note: | CatMonthString:may.15 |
Search for related items by subject
| Subject: | Stories without words. Flowers > Juvenile fiction. Father and child > Juvenile fiction. |
| Topic Heading: | Adrienne Gear: Reading power |
Available copies
- 1 of 1 copy available at Westcoast Early Learning Library.
Holds
- 0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
|---|---|---|---|---|---|---|
| Westcoast Early Learning Library | LAWS 2015 (Text) | 35200000728910 | Childrens Fiction | Volume hold | Available | - |
- Booklist Reviews : Booklist Reviews 2015 March #2
*Starred Review* A little girl in a red hooded jacket is walking with her dad on a gray street, but once she spots some dandelions growing out of a crack in the sidewalk, she starts to see wildflowers all over. Each time she notices some flowers, her father waits as she expands her bouquet. Now with a fistful of treasures, the girl decides to spread the cheer around. She places a few stems on a dead bird in the park, leaves some at the foot of a napping man, nestles a few in a dog's collar, weaves several into her mom's hair, and balances a few more atop her brother's head before tucking the last one behind her ear. Smith expertly lays out the heartening narrative in wordless panels full of loose yet expressive ink-and-watercolor illustrations that subtly and lovingly capture the little girl's joyful, breezy discovery of the wealth of color and nature around her. At first, the girl is the only speck of color in a world of inky black washes, but as she begins to notice flowers and birds all over town, Smith fills in her environment with rich and varied hues. A quiet, graceful book about the perspective-changing wonder of humble, everyday pleasures. Copyright 2014 Booklist Reviews. - Horn Book Guide Reviews : Horn Book Guide Reviews 2015 Fall
A man and child walk through a rundown city and through a park. The man listens to his phone; the child gathers wildflowers from pavement cracks, then begins giving them away. Ambiguities are subtly hinted at in this wordless book. The pen-and-ink art is well paced, with broad, assured lines in dramatic black enhanced by gray wash. Significant details appear in increasingly vibrant watercolor. - Horn Book Magazine Reviews : Horn Book Magazine Reviews 2015 #3
A man and child stride companionably hand-in-hand on Smith's energetically composed cover; yet, once inside this wordless book, each seems to wander in a separate, inner world: while the man is listening to his phone, the child is gathering the wildflowers that spring bravely from pavement cracks -- dandelions, buttercups, lupine. Once they leave the comfortably rundown city center and enter a park, the child begins to give these blossoms away -- a few honor a dead sparrow; some go to a sleeping man on a park bench; others are tucked into a dog's collar. Man and child hold hands again, now, and walk more purposefully, to arrive at a pleasantly old-fashioned house with enough flowers left for the woman who's waiting for them, and for younger children playing in a yard alive with spring flowers and wild creatures: birds, bees, snails, squirrels. Ambiguities are subtly hinted at in Smith's development of poet Lawson's story idea -- subtly enough to elicit a variety of conclusions about what's going on in this Rorschach test of a picture book. The pen-and-ink art is well paced, with broad, assured lines in dramatic black enhanced by sweeps of gray wash; such significant details as the child's Red Riding Hood jacket, the flowers, and the home at the end appear in increasingly vibrant watercolor. A deceptively quiet book, to ponder and discuss. joanna rudge lon Copyright 2014 Horn Book Magazine. - Kirkus Reviews : Kirkus Reviews 2015 January #2
A child in a red hoodie and a man on a cellphone navigate an urban landscape, the child picking flowers from cracks and crannies along the way.Best known for his nonsense verse, Lawson here provides a poignant, wordless storyline, interpreted by Smith in sequential panels. The opening spread presents the child and (probably) dad walking in a gray urban neighborhood. The child's hoodie is the only spot of color against the gray washâexcept for the dandelions growing next to a sidewalk tree, begging to be picked. The rest of their walk proceeds in similar fashion, occasional hints of color (a fruit stand, glass bottles in a window) joining the child and the flowers she (judging by the haircut) plucks from cracks in the concrete. Smith's control of both color and perspective is superb, supporting a beautifully nuanced emotional tone. Though the streets are gray, they are not hostile, and though dad is on the cellphone, he also holds the child's hand and never exhibits impa tience as she stops. Once the child has collected a bouquet, she shares it, placing a few flowers on a dead bird, next to a man sleeping on a bench, in a friendly dog's collar. As child and dad draw closer to home, color spreads across the pages; there is no narrative climax beyond readers' sharing of the child's quiet sense of wonder. Bracketed by beautiful endpapers, this ode to everyday beauty sings sweetly. (Picture book. 4-7) Copyright Kirkus 2015 Kirkus/BPI Communications.All rights reserved. - Publishers Weekly Reviews : PW Reviews 2015 January #2
A girl in a hooded red coat walks through the city with her father. He leads her home in silence, leaving her to contemplate the world. She spots flowers growing out of sidewalk cracks. Closing her eyes and sniffing each one, she accumulates a handful, then decides they should be given away. Viewers don't see what the girl does; instead, they see the results of her work. A dead sparrow on the sidewalk is left with a reverent bouquet on its chest, the gray scene around it flashing into full color. A man sleeping on a bench gets a couple, as does a dog's collar, and when the girl arrives home, the girl's mother and siblings receive a scattering of blossoms, too. When viewers last see the girl, she still has one flower, and she's still walking. If not for Smith's (Music Is for Everyone) intelligent ink-and-wash panels, his calligraphic pen line, and his delight in sun and shadow, Lawson's (Think Again) wordless story might have been mawkish. Instead, it's a reminder that what looks like play can sometimes be a sacrament. Ages 4â7. (Mar.)
[Page ]. Copyright 2014 PWxyz LLC - School Library Journal Reviews : SLJ Reviews 2015 February
K-Gr 3âAn emotionally moving, visually delightful ode to the simple powers of observation and empathy. A young girl and her father walk home from the grocery store through busy city streets in this wordless picture book. Along the way, Dad is preoccupiedâtalking on his cell phone, moving with purpose, eyes forwardâwhile his daughter, a bright spot of red in a mostly black-and-white world, gazes with curiosity at the sights around her. In graphic novel-style panels, readers see what she sees: colorful weeds and wildflowers springing up from cracks in the pavement. She begins to collect these "sidewalk flowers" as they make their way past shops, across bustling avenues, and through a city park. Halfway through their journey, the little girl surreptitiously begins giving pieces of her bouquet away: a dandelion and some daffodils to a dead bird on a pathway; a sprig of lilac to an older man sleeping on a bench; daisies in the hair of her mother and siblings. With each not-so-random act of kindness, the scenes fill with more and more color, until the pen-and-ink drawings are awash in watercolor, her world now fully alive and vibrant. With pitch-perfect visual pacing, the narrative unfolds slowly, matched by the protagonist's own leisurely appreciation of her environment. Smith expertly varies perspective, switching from bird's-eye view to tightly focused close-ups. The panel format is used exquisitely; the individual choices are purposeful, and the spaces between panels effectively move the story. VERDICT This is a book to savor slowly and then revisit again and again.âKiera Parrott, School Library Journal
[Page 72]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
